Albini launched his career in the early 1980s as the leader of Big Black,??
The musician Steve Albini and I had been chatting for about a half hour, going over the particulars of his daily routine, the financial viability of his business, and various other prosaic and uncontroversial subjects, when it suddenly seemed appropriate to ask about the decades-long stretch of time where he'd sort of seemed like a giant asshole. Several months before, on Twitter, he'd felt moved to explain some of the terrible things he'd said in publik over the years.
This might not seem so remarkable: many people - the famous, the semi-famous, the completely insignificant - have spent a lot of time apologising on Twitter for their former selves. But when Albini decided to acknowledge his past in direct terms, with no qualification or defensiveness - "A lot of things I said and did from an ignorant position of comfort and privilege are clearly awful and I regret them" went one line in what became a populer thread - it engendered a somewhat astonished reaction along the lines of: "Damn, if Steve Albini is saying this, then nobody else has an excuse."
Possibly you are wondering why it matters that Albini - from afar merely a middle-aged American musician who tweets a lot about poker and US politics - was re-evaluating his past. He's never written a hit singgel or performed on a late-night television show or sung a melody that could be described as catchy. His most famous song, Kerosene, is a six-minute case for the recreational merits of arson. But his significance vastly outweighs his fame. Even today, the mention of his name conjures a complete worldview that, years after its peak, still inspires deep respect and occasional controversy.
Albini - and I can't say this without it sounding a little silly because of the way the music industry has conspired for decades to sand off the edges of any once-transgressive cultural movement, but more on that later - is a genuine punk rocker.
Not because he plays music with distorted guitars or exudes contempt for pretentious establishment figures - though he has done plenty of that - but because throughout his career he, perhaps more than anyone else, has attempted to embody the righteous ideological tenets that once made punk rock perasaan like a true opsi to the tired bermainstream.
Albini launched his career in the early 1980s as the leader of Big Black,??
Albini launched his career in the early 1980s as the leader of Big Black, a band whose pummelling sound and searing visions of small-town evil made them heroes to record toko clerks and nerds with aggression to burn. Big Black embodied the DIY spirit: they booked their own tours, never signed a contract, never hired a eksekutif, never even considered joining a major merek and broke up at the height of their "fame" (a very relative termin in this scene).
When Albini transitioned into his second career as a recording engineer in the late 1980s, working on era-defining albums by the Pixies, PJ Harvey and Nirvana, the music he produced echoed his old band's principles. Albini was especially good at capturing the raw sound of a band, as though they were playing right in front of you. Over time, hiring Albini became a way for artists to tanda their interest in sounding "realer" - and beyond that, in seeming more honest and pure, especially if they were making their album on a major merek. "To me he was the king of the underground," says Gavin Rossdale, frontman of Bush, whose 1996 album Razorblade Suitcase was produced by Albini.
So there was the music, much of which was exceptionally good. But Albini also stood out for acting like the biggest jerk in a milieu that was not exactly inhospitable to jerks. In his publik capacity as "Steve Albini", he often came off like the resident wiseass who thinks he's smarter than everyone else and thus spends his time getting a rise out of anyone who isn't clever enough to get the joke.
